When Fat Charlie's dad named something, it stuck. Like calling Fat Charlie "Fat Charlie." Even now, 20 years later, Charlie Nancy can't shake that name, one of the many embarrassing "gifts" his father bestowed-before he dropped dead on a karaoke stage and ruined Fat Charlie's life. Because Mr. Nancy left Fat Charlie things. Things like the tall, good-looking stranger who appears on Charlie's doorstep, who appears to be the brother he never knew. A brother as different from Charlie as night is from day, a brother who's going to show Charlie how to lighten up and have a little fun. And all of a sudden, things start getting very interesting for Fat Charlie. Exciting, scary, and deeply funny, Anansi Boys is a kaleidoscopic journey deep into myth, a wild adventure, as Neil Gaiman shows us where gods come from, and how to survive your family.
Neil Gaiman's AMERICAN GODS presented a modern look at ancient gods that left fans wanting more about the characters. Gaiman's ANANSI BOYS focuses on the ancient African spider-god Anansi the Trickster. Narrator Lenny Henry has one of those great British voices that is always interesting. His perfect use of Caribbean accents and strange animalistic human voices is a joy. The story of the sons of Anansi, one with god-like powers and the other human, is compelling. Gaiman offers a twist that alone makes the story worthwhile. One amusing aspect is that one of Henry's characters, a bird-woman, sounds exactly like Yoda from STAR WARS. M.S. (c) AudioFile 2001, Portland, Maine
About the Author
Neil Gaiman is the author of the novels Neverwhere, Stardust, and the Hugo- and Nebula-winning American Gods; The Sandman series of graphic novels, and Smoke and Mirrors, a collection of short fiction. Originally from England, he now lives in Minneapolis.
Digital Rights Information
OverDrive WMA Audiobook
Burn to CD:
Not permitted
Transfer to device:
Permitted
Transfer to Apple® device:
Permitted
Public performance:
Not permitted
File-sharing:
Not permitted
Peer-to-peer usage:
Not permitted
All copies of this title, including those transferred to portable devices and other media, must be deleted/destroyed at the end of the lending period.